Emergent Music And Visual Music: Inside Studies
Part One: The Book
by Ronald A. Pellegrino

Index

Index

aesthetic judgments, 3, 4, 114, 160
aesthetics of music, 60, 159
alchemy in the arts, 126, 159
algorithm, xi, 43-48, 60, 62, 72, 159
alphaSyntauri, 76, 119, 169
Amiga, 98, 112, 118-120, 136
Anaximander, 87
An Electronic Studio Manual , xii
Apple IIe, 73, 76, 79, 120
Aristotle, 87
ArtMatic, 103, 104, 126, 141, 142, 159
Ashley, Mary, 28
audio compression, 59
auditory cortex, 32
Aurelio, 165
Austin, Larry, 28, 30

Berkeley Museum of Art, 79
Beyond the Event Horizon, 131, 140
Blau, Herbert, 24
Bliss Paint, 131, 136, 137, 140
Boulanger, Nadia, 167
Breeden, David, 169
Brün, Herbert, 72, 169
Buchla Associates, 31, 69, 116, 119, 169

Cage, John, 70, 72
California State University, 123, 169
California Institute of the Arts, 169
Caruso, Enrico, 166
Casio Digital Horn, 116
Celli, Joseph, 169
Chadabe, Joel, 28
Chaos Theory, 89, 141
Charles, Ray, 148
Clarinet and Friend, 93
common ground, xiii, 32, 33, 37, 38, 41, 53, 72, 83, 90, 97, 125
complexity theory, 4, 53, 159
compositional algorithms, 3, 6, 34, 45-49, 159
compositional field-tests, 19, 159
compression algorithms, 59-62
computer modeling, 62, 64
Corcoran, Ryan, 138
Crane, Robert, 168
creativity software, 159
Cunningham, Merce, 70
cyberspirits, 45-50, 158, 159
Cynthia's Dream, 109, 110, 122, 131, 133, 138

Dally, Lynn, 169
Darcy, Mary, 122, 136
de Oliveira, Jocy, 29, 169
DH-100, 116-118
difference in potential, 30, 87
Dijucontact, 136, 137
dynamical forms, 38, 160
dynamical systems, 37, 45, 71, 88, 103, 160
dynamic equilibrium, 95, 96, 160
dynamic graphic scores, 37, 39, 73, 75, 81, 93

Edwards, Carl, 51
Elizabeth, 131
emergent music, xi, 3-6, 34, 73, 107, 122, 126, 160
EMS of Amherst, 169
entrainment, 32, 35, 160
envelope, 35, 49, 51, 57, 118, 160
ephemeral forms, 4, 22, 27-31, 45, 91, 159, 160
Ephemeral Forms: Mother Musing's Flight Patterns, 22, 27-29
Euphonics International, 118, 169
event, 20, 23, 24, 28, 30, 41, 46, 58, 62, 76, 79, 80, 110, 125, 131, 140, 141, 160, 163
event horizon, 131, 140
evolutionary imperative, 3, 4, 38
experimental music, 72, 168
experimental social systems, 81

Fair Isaac Inc., 16
Fairlight Voicetracker, 98, 109, 160
Fanning, Cynthia, 109, 169
feedback, 4, 11, 19, 34, 45, 55, 74, 77, 104, 110, 113-115, 137, 138, 141, 159 , 160
FEELING AND FORM, 32, 77, 78
Feiler, Daniel, 131
Fisher, Margaret, 24, 169
flowcharts, 55, 57, 91, 103, 141, 159
Ford Foundation, 168
Fox, Deb, 125-127, 141, 142, 169
frequency, 30, 35, 38, 51, 52, 56, 60-62, 72, 88-98, 105-109, 116, 153, 155, 160-163
Frey, Kevin, 136
Fulkerson, James and Mary, 29

galvanometers, 93, 95, 96, 146, 147, 160, 169
generative systems, 12, 69, 159
generative software, 104
generic composition, 160
Gillerman, James, 169
Glasssongs, 76
Gleaves, Paul, 79, 120
graphic scores, 37, 39, 72-75, 81, 93, 160
Grateful Dead, 77, 78
Guy, William Allen, 155

Hafner, Everett, 169
Hanson, Howard, 168
harmonics, 52, 108
harmony, 22, 80, 88, 89, 112, 161, 165
heterodyne, 60
heterophony, 126, 160
Hewlett-Packard, 79, 80, 92, 112, 118-124, 132-135, 139
Hildreth, Valrie, 169
Houghton, Ralph, 166
Howard, Brice, 169
human feelings, 32, 37, 38, 77, 88, 117
Hunt, Jerry, 29, 169

IBM, 63-66
Illinois Wesleyan University, 110
interlacing, 95
Intermuse, 28
International Community for Auditory Display, 63
instantaneity, 29, 30
instrument design, 8, 50, 54, 116
Italy, 87, 89, 112, 165, 166

Jalbert, Greg, 131, 137
Jameson, David H., 63, 65, 66
Jenkens, Margaret, 169
Johnson, Will, 169
Johnston, Ben 29
Jones, Hilton, 29
Jones, Janine, 136

Khan, Hazrat Inayat, 49, 61
Kate, 146
Keb´Mo´, 154
Keefe, Dennis, 74
Kenosha, 117, 166, 167
Kenosha Civic Band, 166
Kerr, Jean 110, 169
Kitchell, Diane, 79, 132, 169
Kohl, Michael, 80
Kolisch, Rudolf, 5, 6, 168, 170
Korg, 118
Koykkar, Joseph, 169
KQED, 73, 113

Langer, Susanne K., 32, 77, 78, 88
laser animation, xiv, 37, 39-41, 56, 57, 72, 73, 75, 76, 79-81, 87, 90-98, 105, 106, 111, 112, 124, 132, 134, 139, 153, 160, 162
Laser Seraphim., 37, 40, 45
Lawrence Conservatory of Music, 167
Lawrence University, 87, 88, 167
Leading Edge Music Series, 109, 169
Leibowitz, René, 5, 6, 168, 170
Lewis, James, 29
Lia, 147
Light Fantastic, 119
Lightworks, 119
limen, 35, 62, 161
Limit, 88
Liquid Light, 113
Lissajous figures, xiii, 48, 91, 92, 161
Lissajous, Jules A., 91
London, Edwin, 29, 169
Luddites, 64

Ma, Yo-Yo, 149
Macintosh computer, 116, 119, 126, 137
Madole, Dena, 169
Malie, 153
Malinowski, Stephen, 74-78
Mann, Frankie, 169
Martirano, Salvatore, 8, 29, 169
Mary D. Bradford High School, 168
matrix, 4, 29, 30, 33, 51-58, 94, 161
matrix alignment, 4, 51-58, 161
McDonald, Lawrence, 169
media band, 11, 27, 111
Meg, 158
memory, 3, 32, 33, 37, 38, 51-54, 63, 74, 76-78, 83, 115, 165
Metaesthetics List, 51, 161
Metabiosis Series, 55
MetaSynth, 105, 108, 126
metatheory, 31, 161
MIDI, 70, 76, 98, 103, 109, 107, 110, 116, 119, 121, 137, 160, 169
Ming, James, 167
Mitka, Manny, 167
Mizelle, Dary John, 29
module, 22, 27, 39, 46, 48, 49, 55, 64, 75, 76, 114, 116, 126, 161
Montague, Stephen, 29
Moog, Robert, 20, 22, 31, 39, 49, 54, 64, 97, 116
Moog synthesizer, 20, 22, 39, 49, 64, 97
morphological resonances, 32, 77
morphology, 38, 41, 161
Moselle, Charles, 169
multidimensional matrix, 29, 30, 53, 54, 161
multimedia, xiii, 11, 14, 20, 21, 27, 37, 40, 45, 46, 49, 54, 65, 69, 73, 75, 97, 98, 110, 113, 115, 118, 119, 126, 161, 163
Multimedia Gulch, 73
Mumma, Gordon, 169
music synthesizer, 8, 39, 49, 55, 64, 75, 89, 91, 93, 105, 106, 109, 110, 161
mystic, 4, 34, 45, 48, 49, 87, 108, 161, 162, 170

NASA, 79
National Center for Experiments in Television, 73, 113, 168
National Endowment for the Arts, 169
National Endowment for the Humanities, 73, 87, 169
Nella, 156, 166
Nelson, Ted, 45
New Age, 123
Niblock, Phill, 169
Nicolai, Frank, 166
Nicolai, Pete, 117
Niehaus, AJ, 136
Nina´s Song, 122
nonlinearity, 93, 106

Oberlin College, 20, 24, 72, 73, 87, 113, 168
Old First Church in San Francisco, 79
Oliveros, Pauline, 169
omnimedia, 21-24, 161
on-the-fly, xiii, 4, 19, 33, 47, 56, 75, 82, 87, 89, 110, 111, 125, 162
open art system, 22, 161
oscillographic images, xiii, , 39, 48, 93, 161
oscilloscope, 22, 37, 39, 39, 48, 49, 64, 90, 93, 97, 105, 106, 161, 169
Other Minds, 125

Pacelli, Robert, 169
Partch, Harry, 8
pas de deux, 139
Peck, Art, 166
Penberthy, Debby, 122 perception, 12, 32, 33, 34, 34, 40, 41, 64, 70, 81, 88, 90, 158, 160-162
performance field tests, xiv, 161
performance-multimedia, 11, 21, 27, 37, 40, 45, 75, 97, 98, 110, 113, 115, 119, 126, 161
performance-videography, 110, 122, 131, 133, 136, 138, 140, 141, 162
periodic systems, 37, 162
persistence of vision, 95, 162
Petaluma, 39, 76, 79, 87, 92, 106, 107, 111, 118, 125, 145-148, 153-158
PHILOSOPHY IN A NEW KEY, 77
Phil´s Float, 93
Piazzolla, Astor, 157
Pierce, Josh, 138
Pinzarrone, Joseph, 29, 31
Plato, 126
poetics of dynamics, 87, 162
Powers, Dan, 80
Premiere, 105
Pribram, Karl H., 51, 52
Project Artaud, 73, 168
protocompositional, xii, xiii, 89, 141, 162
psychophysics, xiii, 9, 11, 12, 22, 32, 33-36, 64, 65, 69, 87, 97, 161, 162
Pythagoras of Samos, 87, 162

quantum physics, 88

Raetze, Toby, 169
ragas and talas, 106, 162
Ravel, 5, 168
realtime composition, xii, xiii, 4, 5, 12, 19, 28, 30, 33, 70, 79, 80, 96, 103, 106, 109, 116, 125, 162
Realtime Electric Theater Band, 27
Rehfeldt, Phil, 93, 169
resonance, 12, 16, 29, 31, 32, 38, 42, 77, 88, 117, 162
resonant frequencies, 56, 92, 93, 96, 147
resultant tones, 56
Roarty, William, 169
Rockefeller Foundation, 73
Rosenboom, David, 29
Rosenquist, Willard, 169
Russell, John, 169

Sample Suite, 145
San Francisco Bay Area, 22, 27, 28, 73, 76, 79, 137, 163, 168
Santa Rosa, 79, 80, 92, 120
Schoenberg, Arnold, 5, 168
Schwartz,, Elliott, 29
Scriabin,, 170
Sekon, Josef, 29
Seiple, Bob, 52, 58, 108
significant forms, 5, 162
Skoug, Luke, 138
Slattery, Diana, 107
Smith, Jim, 80
SMPTE code, 110
Soft Candy, 111-113
sonification, 17, 63-66, 71, 97, 162
Sonoma Electro-Acoustic Music Society, 27
sound design, 8, 15
sound signatures, 41, 61
source tapes, 110, 140, 162
spectral component, 59, 82, 147, 162, 163
stereo sweet spot, 83, 146, 162
subliminal, 117
Super Gen, 118, 138
Synthi AKS, 80, 93, 94, 105, 106, 169
systems, xii, 3-5, 8, 12, 15, 23, 28, 30-32, 34, 37, 38, 43-57, 69-71, 76, 81-83, 88, 96-98, 103, 106, 111, 113-118, 123, 136, 137, 159, 160, 162, 169
systems analysis, 55
systems design, 49, 55

Taoist magic forms, 37, 40, 41, 162
Tektronix Inc., 169
Telecommunications Valley, 118
temporal lobe, 32, 41
Texas Instruments, 119, 169
Texas Tech University, 27, 52, 53, 109, 168, 169
Thales, 87
The American Federation of Musicians, 167
The Blackearth Percussion Group, 93
The Deb Fox Heterophonic Alchemical Tours, 125, 126
The Electronic Arts of Sound and Light, xi, xii, xiv, 21, 24, 27, 32, 47, 96, 97, 111, 119, 137, 161
The Exploratorium, 79, 163
THE LIVING ENERGY UNIVERSE, 115
THE MUSIC OF LIFE, 60
The Ohio State University, 72, 168
The Real* Electric Symphony, 4, 22, 27, 28, 79, 162, 170
The Tale of the Silver Saucer and the Transparent Apple, 49
The Unison, 105-108
time-based art, 32, 77
Tower, Joan, 169
transient, 60, 61, 163

U&I Software, 126
UC-Berkeley Lawrence Hall of Science, 79
University of Wisconsin-Madison, 5, 6, 14, 77, 87, 97, 122, 131, 136, 138, 168
Unlimited, 88
U.S. State Department, 170

variable, xiii, 4, 41, 43, 45-49, 62, 75, 79-82, 89, 91, 94-96, 109, 114, 116, 117, 126, 140, 141, 159-163
Victrola, 166
videographic fluid dynamics, 142
video synthesizer, 73, 79, 80, 97, 124, 131, 137, 139, 141
Vilas Fellowship, 168
virtual reality, xiii, 64, 163
visual cortex, 32
visualization, 17, 40, 63-65, 69-71, 105, 108, 169
visual music, xi-xiii, 3, 11, 22-24, 27, 34, 45, 57, 69-77, 80-83, 87-92, 95, 97, 105-110, 113, 114, 118, 119, 122, 125, 126, 136, 139, 163, 170
visual music flavors, 69
Visual Music Meditations, 45, 75, 90, 97, 98, 105-108

Walker, Donald, 29
wave characteristics, 29, 30, 162
waveform variables, 49, 160, 161, 163
Way, Brenda, 169
Webern, 5, 168
Wenger, Eric, 126, 141, 159
whole number ratios, 57, 58, 89, 90, 95, 96, 160, 162
Wilson, Olly, 169
Windswept, 116-120
Winter Reflections, 103
Woodbury, Arthur, 29
Wyschnegradsky, Ivan, 170

Ylem, 37, 789, 163

Zabukovic, Frank, 167



To view selected sections of Emergent Music And Visual Music: Inside Studies, Part 1: The Book, click on one of the following:
Contents
Preface
Chapter 1, Emergent Music
Chapter 15, Visual Music Flavors
Acknowledgments
Index



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